Mocean Worker’s (a.k.a. Adam Dorn) fifth album sees a continuation of the jazz and big band breaks that were in Enter the Mowo, as well as the continuation of the Mowo moniker that Dorn has fallen in love with.
Just like his fourth album, there’s very few things to not like, so long as you have a taste for all things jazz and electronic music that in no way resembles anything close to the progressive house, or trance genres people associate with the umbrella genre. This is another one of those albums where I dare you to listen to it and not smile.
My favorite track: Olé Baby.
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